“The Huge 4” opens with one in all its greatest scenes as Tjahjanto reminds us of his horror background by dropping viewers into an orphanage used to reap organs for wealthy folks. It seems that the heroes of this story are already undercover on this grotesque institution, and so they destroy all of its workers in an more and more grotesque trend. A sniper’s bullet would not simply drop an enemy in a Tjahjanto movie—it blows half his head off.
Throughout the sequence, we meet the quartet of vigilante assassins that give the movie its title: chief Topan (Abimana Aryasatya), the extraordinary Alpha (Lutesha), marksman Jenggo (Arie Kriting), and the youngest Pelor (Kristo Immanuel). These angels have a Charlie in Petrus (Budi Ros), who decides it is time to retire from the crew as his daughter Dina (the wonderful Putri Marino) is retiring from the police academy. It is exhausting to guide a gaggle of people that function exterior the legislation when your offspring is now the legislation. However Petrus cannot get pleasure from his retirement and is murdered in what’s principally the movie’s prologue, sending his 4 assassins to a distant island. Three years later, Dina tracks them down, and so does the killer of her father (Martino Lio), who now has an entire crew to enact his vengeful will.
“The Huge 4” is at its greatest when it is at its most ludicrous, whether or not it is the placing opening showdown or a beautiful later scene by which Topan has to keep off a pair of villains behind a door with out revealing the violence to Dina. Lio leans into his villain function with unbelievable facial hair, a foolish variety of knives sheathed on his physique, and a trend sense that appears constructed round his snarl. Most individuals who watch “The Huge 4” can be drawn to its cartoonish motion, however the solid is strong from prime to backside, particularly Lio, Marino, and Aryasatya.
I am going to admit to caring much less and fewer concerning the plot of “The Huge 4,” which makes its 141-minute runtime a bit a lot. However all is forgiven when it lastly takes off, which it does with sufficient rhythm to get you from the extraordinary prologue to the insane last half-hour, throughout which Tjahjanto pulls out all of the stops. He is reportedly hoping that this would be the begin of a franchise. It is exhausting to think about how the sequel might go larger, however I guess he’ll discover a means.
On Netflix now.